μž‘μ—…μ€ λ‚˜μ˜ 무λ ₯κ°μœΌλ‘œλΆ€ν„° μ‹œμž‘λ˜μ—ˆλ‹€. 체코에 λ¨Έλ¬΄λŠ” λ™μ•ˆ μƒˆλ‘œμš΄ ν™˜κ²½μ—μ„œ μ˜ˆμˆ μ— λŒ€ν•œ λ‹€λ₯Έ νƒœλ„λ₯Ό μ΅ν˜€μ•Ό ν•˜λŠ” ν™˜κ²½μ , 심리적 μ••λ°•κ³Ό ν•¨κ»˜ λ‚΄κ°€ μ „ν˜€ μ•Œμ§€ λͺ»ν•˜λŠ” 이 μ‚¬νšŒ μ•ˆμ—μ„œ κ³Όμ—° μ˜ˆμˆ μ΄λΌλŠ” μ΄λ¦„μœΌλ‘œ ν•˜λŠ” 이 λͺ¨λ“  것듀이 μ–΄λ– ν•œ μ˜λ―Έμ™€ κ°€μΉ˜λ₯Ό 생산할 수 μžˆλŠ”μ§€, μ˜ˆμˆ μ€ 무엇인지에 λŒ€ν•œ 의문이 λ“€κΈ° μ‹œμž‘ν–ˆλ‹€.

κ·Έλž˜μ„œ λ‚˜λŠ” μœ μΌν•˜κ²Œ λ‚΄κ°€ ν•  수 μžˆλŠ” 바라보기λ₯Ό μ‹œμž‘ν•˜μ˜€κ³ , λ‚˜λŠ” μ˜ˆμˆ ν•™κ΅ μ•ˆ μ€‘κ°„μ§€λŒ€, 예술 κ³΅κ°„μ΄λ©΄μ„œλ„ 그렇지 μ•Šμ€ κ³³, κ±°λŒ€ν•œ μ˜ˆμˆ λ©μ–΄λ¦¬(건물) μ•ˆ 개인의 곡간에 μ§‘μ€‘ν•˜μ˜€λ‹€. κ·ΈλŸ¬λŠ” λ™μ•ˆ λ¬΄μ–Έκ°€λŠ” μ˜ˆμˆ ν’ˆμœΌλ‘œμ„œ λ¬΄μ–Έκ°€λŠ” μ“Έλͺ¨μ—†λŠ” μ±„λ‘œ 놓여 κ· ν˜•μ΄ λ§žμ§€ μ•Šμ€ 사물듀이 λˆˆμ— λ“€μ–΄μ™”λ‹€. μ‚¬μ μ΄λ©΄μ„œ λ™μ‹œμ— 곡적인 곡간에 놓인 사물듀은 λˆ„κ΅°κ°€μ— μ˜ν•΄ λ†“μ˜€μ§€λ§Œ 마치 본래의 자리인 κ²ƒμ²˜λŸΌ κ·Έ 자체둜 내적인 νž˜μ„ κ°–κ³  곡간을 μ μœ ν•˜κ³  μžˆμ—ˆλ‹€.

사적인 κ²½ν—˜μ— λ‹Ώμ•„ μžˆλŠ” 사물듀, λ‹€λ₯Έ μ‚¬λžŒμ˜ 손길이 λ‹Ώμ•„μžˆμ§€λ§Œ 마치 λ…λ¦½μ μœΌλ‘œ μ‘΄μž¬ν•˜λŠ” λ“―ν•œ λŒ€μƒλ“€, 버렀진 것인지 λ³΄κ΄€λ˜λŠ” 것인지 μ•Œ 수 μ—†λŠ” μ‚¬μ΄μ˜ κΈ΄μž₯감. μ΄λ ‡κ²Œ 슀슀둜의 자리λ₯Ό μ°¨μ§€ν•˜κ³  μžˆλŠ” λŒ€μƒλ“€μ„ 찬찬히 μ‚΄ν•ŒμœΌλ‘œμ¨ 그것듀을 λ‘˜λŸ¬μ‹Έκ³  κ°œλ…λ“€μ„ μƒˆλ‘œμ΄ μ‚¬κ³ ν•΄λ³΄λŠ” 것, 사물(μ˜ˆμˆ ν’ˆ)듀을 μ§€κ°ν•˜λŠ” 방식을 κ³ λ―Όν•˜λŠ” 것이 이번 μž‘μ—…μ„ 톡해 μ§ˆλ¬Έν•˜κ³ μž ν•˜λŠ” 바이닀.

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